Labyrinthine synth music that seems to borrow from the depressive electronics of Scandinavian black metal, the dark side of kosmische and progressive rock, disintegration-loop techno, and the kind of impossibly bleak interior landscapes conjured by Nico/Cale on The Marble Index. Arv & Miljö's origins are in noise, but in recent times its releases have traded hard-modernist harsh-outs for more playful and digressive pieces - from corroded parodies of new age to skewed, glue-it-yrself almost-pop and downer psych experiments that betray the Gothenburgian project’s heavy obsession with NZ lathe-cuts / zero-audience 4-track fuckabouts. This new album appears at first a perfect vision of bucolic bliss - its title translates roughly as “Swedish Summer of Peaceful Tranquility” - but its surface calm of shimmering harmony belies - OF COURSE - roiling currents of existential unease…a loneliness and listlessness ripe to metastasise into psychosis and violence (the first is track titled ‘Stabbed In The Brain’, juz in case you didn't get the memo). Blood-lust aside, Svensk Sommar feels part of a venerable desolate-Swedes-with-keyboards continuum that also includes Ralph Lundsten, Anna Själv Tredje’s enigmatic, untouchable Tussilago Fanfara and those recently unearthed Civilistjavel! recordings, but also connects with the sequestered electronics of Burzum’s 'Rundgang um die transzendentale Säule der Singularität', the demolished folk of Alistair Galbraith and Flies Inside The Sun, the eternal-horizontal-moment of RST and GAS, the hidden-reverse drone-spells of Mirror and Vicki Jackman. By the time you’ve finished listening, those gambolling deer on the cover resemble nothing so much as DEAD MEAT. Gulp… Featuring guest appearances from Korea Undok Group, Charlotte Malmenholt, and Stefan Christiansen. Edition of 300.